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- VIDEO, Page 90The Pulp Message of the Week
-
-
- THE KAREN CARPENTER STORY
- CBS; Jan. 1, 9 p.m. EST
-
- "Karen, you're not eating," says the concerned mother to her
- undernourished daughter. An edgy family discussion ensues over
- dinner. "You look too thin, if you ask me," says Mom. "Mother,"
- replies Karen Carpenter, "how can anybody be too thin?"
-
- Is this a Saturday Night Live sketch? An ad for the Beef
- Industry Council? No, it's The Karen Carpenter Story, a TV movie
- about the life and 1983 death (from heart failure linked to
- anorexia nervosa) of the creamy-voiced pop singer. The CBS film is
- a fitting New Year's Day kickoff for a genre that has run rampant
- in the past year: the TV docudrama. Virtually every
- headline-grabbing news story, from mass-murder spree to airline
- hijacking, is being processed and spun out as "fact-based drama."
- One can almost feel the hot breath of Hollywood waiting for the
- Joel Steinberg trial to end so it can be recast and retold as the
- inevitable Sunday Night Movie.
-
- These TV sagas allow the audience to relive a sensational news
- story in a compact two- or four-hour chunk, with climaxes
- italicized and ambiguities excised. More subtly, they help viewers
- cope with tragic events by imparting the foreknowledge of God.
- Seemingly random occurrences of day-to-day life take on major
- significance with TV-movie hindsight. Early in Karen Carpenter, the
- teen-age Richard Carpenter grabs a pizza from his little sister.
- "You don't want to get fat, do you?" he taunts. Ah, if only they
- knew . . .
-
- As TV pulp fiction goes, Karen Carpenter is quite enjoyable.
- Cynthia Gibb (who lip-syncs Karen's syrupy hits like Close to You)
- and Mitchell Anderson are convincing as the sister-brother act.
- Director Joseph Sargent traces their rise to fame in brisk if
- superficial strokes. The film (which lists Richard Carpenter as
- executive producer) is blunt about the troubles the young stars
- faced: overprotective, underaffectionate parents (Louise Fletcher,
- Peter Michael Goetz), Richard's drug problems, Karen's growing
- obsession with losing weight. The scrubbed duo make drug abuse look
- positively wholesome, but the movie deftly grafts the morbid
- thrills of a disease-of-the-week drama onto a traditional show-biz
- bio.
-
- The trouble, as usual, comes in the oversimplified and
- heavy-handed message. In the realm of docudramas, the best lack all
- conviction: last spring's Baby M was a gem precisely because it had
- no overt agenda other than to convey the clash between two
- impassioned, tragically irreconcilable points of view. Karen
- Carpenter takes the more familiar didactic approach. Message No.
- 1: losing weight has its limits (or, you can be too thin). Message
- No. 2: such an illness can often be traced to the failings of Mom
- and Dad. A psychiatrist who has examined Karen chides the senior
- Carpenters for making her feel inadequate and hiding their love.
- Mom bristles, but in the last scene finally utters the magic words
- "I love you." In the final shot Karen is seen walking toward the
- camera, beaming. Message No. 3: for connoisseurs of docudramas that
- turn depressing stories into upbeat affirmations, we've only just
- begun.